Michelle Memran

Filmmaker | Journalist | Dementia Advocate

Michelle Memran is an award-winning documentary filmmaker, journalist, and dementia advocate whose work weaves collaborative storytelling with social justice. As a Senior Atlantic Fellow for Equity in Brain Health, she co-creates artful, impactful media with individuals navigating neurocognitive change, centering firsthand perspectives to disrupt societal stigma.

Co-Created Advocacy Videos

Let This Be a Symphony is a media advocacy campaign using collaborative video storytelling to de-stigmatize Alzheimer’s and related dementias. By centering lived experience narratives, we aim to change the conversation (and the culture).

World Lewy Body Dementia Day: Six LBD Advocates Offer Hope & Awareness

Chasing the Light: How Creativity Supported Susan Schneider Williams and Robin Williams Through LBD

Living With Lewy: Brother John-Richard Pagan Prepares for His Mayo Clinic Keynote

Love in Action: Karen Myers Barnett on Caring for Her Mom Living With Frontotemporal Dementia

Living with Young-Onset Alzheimer’s: Joanna Fix on Rollerskating, Muscle Memory, and Keepin’ On

Neurologist David Brodie-Mends on Healthcare in Ghana, Community, and the Hospital He Calls Home

Media Advocacy for Nonprofits: National Council of Dementia Minds 

The National Council of Dementia Minds (NCDM) is a nonprofit organization founded and led by people living with dementia to challenge stigma and change the perception of the disease. It offers peer support, educational experiences, and practical tools to foster connection and purpose for individuals with dementia and their care partners.

Here are two of videos I’ve co-created with NCDM members.

Living Well with Dementia

Transforming Life With Dementia

The Rest I Make Up chronicles a decade-long creative collaboration with visionary playwright María Irene Fornés during the years she lived with Alzheimer’s disease. Together, Memran and Fornés discovered that a camera could pick up where the pen left off. Their film premiered at the Museum of Modern Art in New York City, was named one of “The Best Films of 2018” by Richard Brody in The New Yorker, and continues to screen worldwide.

A lyrical and lovingly made documentary.
— The New York Times

Documentary: The Rest I Make Up

Trailer, The Rest I Make Up

Above all, the movie embodies Fornés’s inherently and irrepressibly creative presence. The text alone, transcribed, would be a primer in live-wire poetic lucidity.
— Richard Brody, The New Yorker 

Selected Press

Awards & Supporters

Frameline Film Festival
Audience Award for Best Documentary

Reeling: Chicago LGBTQ+ International Film Festival
AARP Silver Image Award, Jury Award for Best Doc Feature

OUTshine Film Festival
Jury Award and Runner-Up Audience Award for Best Documentary

Queer Porto 4 - International Queer Film Festival
Special Mention

Sebastopol Documentary Film Festival
Best Documentary Feature

Some Prefer Cake Film Festival
Audience Award and Jury Award for Best Documentary

2025 UCSF Library Artist in Residence

Past Advocacy, Future Change: HIV/AIDS Campaigns Transforming Dementia Narratives is a multimedia project that explores how the visual language and community-led messaging of early HIV/AIDS activism can inspire more humanizing, solutions-based narratives around Alzheimer’s and related dementias today. Drawing from the UCSF Library’s extensive HIV/AIDS Epidemic Collection — including posters, public service announcements, and oral histories — artist-in-residence Michelle Memran will create new works that challenge stigma and amplify the experiences of individuals living with dementia.

Writing + Press

Selected Writing

Cambridge University Press, Fornés in Context, Contributor, 2025

Simon & Schuster, Our Red Book, Contributor, 2022

The Boston Globe,A red badge of courage, period,” 2022

Talkhouse, “Start With One Face: How Uncertainty in Art Quells Uncertainty in Life,” 2021     

Talkhouse, “How I Survived Cancer and Finishing a 15-year Documentary,” 2019   

Harper’s Magazine, “Candid Camera,” 2016

Vanity Fair, “Tony Kushner Gives Rave Review of Production of Angels in America,” 2014

Vanity Fair, “The Designers Behind New York City’s Iconic Subway-System Signage,” 2013 

The Brooklyn Rail, "Accordions in the Arctic: Cynthia Hopkins Sails Ahead,” 2012

Vanity Fair, “Ric Burns on Eugene O’Neill’s Long Journey,” 2006

The Brooklyn Rail, “Europe: Here is Not Everywhere,” April 2003

The Brooklyn Rail, “Moment to Moment with Maria Irene Fornes,” 2002

The New York Times, “Theatre: Annals of Asia in America, in Small Bites,” 2001

American Theatre, "Measure for Measure: Playwrights Respond to Critics,” 2001

Newsweek, “Death Row Dramatized,” 2000; “Broadway-Trained, Hollywood-Bound,” 2000; Periscope weekly column

Biography + C.V.

Michelle Memran is a documentary filmmaker, journalist, and dementia advocate whose work weaves collaborative storytelling with social change. As a Senior Atlantic Fellow for Equity in Brain Health, she co-creates artful, impactful media with individuals navigating mild cognitive impairment and dementia-related conditions, centering firsthand perspectives to disrupt societal stigma.

Her award-winning debut film, The Rest I Make Up, chronicles a decade-long creative collaboration and friendship with visionary playwright María Irene Fornés while she was living with Alzheimer’s. Together, they discovered that a camera could ignite a vital new artistic practice. The film premiered at the Museum of Modern Art in New York City, and was named one of “The Best Films of 2018” by The New Yorker.

Michelle is currently the UCSF Library Artist in Residence, creating "Past Advocacy, Future Change: HIV/AIDS Campaigns Transforming Dementia Narratives," and developing Let This Be a Symphony, a new dementia media advocacy campaign (recently awarded pilot funding from the Alzheimer’s Association, Alzheimer’s Society UK, and the Global Brain Health Institute). 

Previously, she spent two decades as a reporter and researcher for various magazines, including Newsweek, Vanity Fair, and The New York Times Magazine.